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	<title>video Archives - Patricia Werneck Ribas</title>
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<site xmlns="com-wordpress:feed-additions:1">68372388</site>	<item>
		<title>Schipper mag ik overvaren?</title>
		<link>http://www.patriciawerneckribas.com/2026/02/schipper-mag-ik-overvaren/</link>
		
		<dc:creator><![CDATA[patricia ribas]]></dc:creator>
		<pubDate>Thu, 26 Feb 2026 18:37:55 +0000</pubDate>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Video Installation]]></category>
		<category><![CDATA[coming of age]]></category>
		<category><![CDATA[dream]]></category>
		<category><![CDATA[Feminism]]></category>
		<category><![CDATA[future]]></category>
		<category><![CDATA[hallucination]]></category>
		<category><![CDATA[reversed images]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">http://www.patriciawerneckribas.com/?p=8461</guid>

					<description><![CDATA[<p>&#160; &#160; &#160; &#160; &#160; &#160; Schipper mag ik overvaren? (Captain can I cross over?), 2025 HD Video, Single-channel, color, sound, 09:30&#160; &#160; The process of coming of age within Western society is critically examined through a dreamlike and hallucinatory video in which a series of young girls repeatedly ask permission to cross to the [&#8230;]</p>
<p>The post <a href="http://www.patriciawerneckribas.com/2026/02/schipper-mag-ik-overvaren/">Schipper mag ik overvaren?</a> appeared first on <a href="http://www.patriciawerneckribas.com">Patricia Werneck Ribas</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div id="attachment_8432" style="width: 734px" class="wp-caption aligncenter"><img fetchpriority="high" decoding="async" aria-describedby="caption-attachment-8432" class=" wp-image-8432" src="http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.52.13-620x339.jpg" alt="" width="724" height="396" srcset="http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.52.13-620x339.jpg 620w, http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.52.13-1000x547.jpg 1000w, http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.52.13-150x82.jpg 150w, http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.52.13-768x420.jpg 768w, http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.52.13-1536x841.jpg 1536w, http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.52.13-2048x1121.jpg 2048w" sizes="(max-width: 724px) 100vw, 724px" /><p id="caption-attachment-8432" class="wp-caption-text">Video Still</p></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div id="attachment_8433" style="width: 525px" class="wp-caption aligncenter"><img decoding="async" aria-describedby="caption-attachment-8433" class=" wp-image-8433" src="http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.40.03-620x342.jpg" alt="" width="515" height="284" srcset="http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.40.03-620x342.jpg 620w, http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.40.03-1000x551.jpg 1000w, http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.40.03-150x83.jpg 150w, http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.40.03-768x423.jpg 768w, http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.40.03-1536x846.jpg 1536w, http://www.patriciawerneckribas.com/wp-content/uploads/2026/02/Screenshot-2026-02-22-at-12.40.03-2048x1129.jpg 2048w" sizes="(max-width: 515px) 100vw, 515px" /><p id="caption-attachment-8433" class="wp-caption-text">Video Still</p></div>
<p>&nbsp;</p>
<p><i>Schipper mag ik overvaren? (Captain can I cross over?), </i>2025<span class="s1"><br />
HD Video, </span>Single-channel, color, sound, 09:30&nbsp;</p>
<p>&nbsp;</p>
<div>The process of coming of age within Western society is critically examined through a dreamlike and hallucinatory video in which a series of young girls repeatedly ask permission to cross to the other side. The work draws on a traditional Dutch children&#8217;s song and playground game, commonly played in schoolyards across the Netherlands.</div>
<div>The recurring male voice that grants or denies passage alternates between innocent, playful injunctions- such as &#8220;You must jump!&#8221;-and more insidious imperatives reflective of social conditioning: &#8220;You must work harder!&#8221;, &#8220;You must lose weight!&#8221; In doing so, the piece exposes the subtle transition from childhood play to the internalization of societal norms and expectations, revealing how innocence becomes entangled with discipline and control.</div>
<p>The post <a href="http://www.patriciawerneckribas.com/2026/02/schipper-mag-ik-overvaren/">Schipper mag ik overvaren?</a> appeared first on <a href="http://www.patriciawerneckribas.com">Patricia Werneck Ribas</a>.</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">8461</post-id>	</item>
		<item>
		<title>Para M</title>
		<link>http://www.patriciawerneckribas.com/2023/12/para-m/</link>
		
		<dc:creator><![CDATA[patricia ribas]]></dc:creator>
		<pubDate>Sun, 03 Dec 2023 18:25:11 +0000</pubDate>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Brasil Holandës]]></category>
		<category><![CDATA[Decolonial]]></category>
		<category><![CDATA[decolonization]]></category>
		<category><![CDATA[Dutch Brazil]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">http://www.patriciawerneckribas.com/?p=5522</guid>

					<description><![CDATA[<p>video still Para M (To M), 2023 Single channel, video, sound, 11:47 min. Watch trailer: https://mediakunst.net/professional/#!/artwork/ma-1022470 A woman’s voice passionately addresses the enigmatic figure &#8220;M&#8221; in a narrative that initially portrays a positive shift as one colonial ruler replaces another. However, the story ultimately exposes the persistent and oppressive nature of the colonial enterprise within an [&#8230;]</p>
<p>The post <a href="http://www.patriciawerneckribas.com/2023/12/para-m/">Para M</a> appeared first on <a href="http://www.patriciawerneckribas.com">Patricia Werneck Ribas</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" class="alignnone size-medium wp-image-5517" src="http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_03-620x349.jpg" alt="" width="620" height="349" srcset="http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_03-620x349.jpg 620w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_03-1000x563.jpg 1000w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_03-150x84.jpg 150w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_03-768x432.jpg 768w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_03-1536x864.jpg 1536w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_03.jpg 1920w" sizes="(max-width: 620px) 100vw, 620px" /><br />
video still</p>
<p><strong>Para M</strong> (To M), 2023<br />
Single channel, video, sound, 11:47 min.</p>
<p>Watch trailer: <a href="https://mediakunst.net/professional/#!/artwork/ma-1022470">https://mediakunst.net/professional/#!/artwork/ma-1022470</a></p>
<p>A woman’s voice passionately addresses the enigmatic figure &#8220;M&#8221; in a narrative that initially portrays a positive shift as one colonial ruler replaces another. However, the story ultimately exposes the persistent and oppressive nature of the colonial enterprise within an enduring framework.</p>
<p>The initial &#8220;M&#8221; refers to Maurits in Johan Maurits van Nassau-Siegen, a seventeenth-century governor sent to Brazil as a representative of the Dutch West Indies Company. Despite the prevailing positive perception of this governmental change and idealized views of Maurits&#8217;s presence in Brazil, recent research uncovers the dark legacy of his dictatorship. The letter &#8220;M&#8221; emerges as a symbol branded on the skin of enslaved Africans under his possession.</p>
<p>Through a creative juxtaposition of images featuring women and reappropriated colonial arte-facts in and around Recife,Brazil —an outpost of Dutch occupation—the essay film intricately weaves a poetic letter. It seeks to discern the potential for the subaltern voice to articulate itself. The film powerfully underscores that, while the articulation of truth may demand time, its revelation remains an inevitable prospect.</p>
<p>&nbsp;</p>
<p>Read article on <em>Para M</em> by curator and writer Ive Stevenheydens on <a href="https://mediakunst.net/public/nieuw-in-collectie-door-ive-stevenheydens-7-gabriel-lester-patricia-werneck-ribas">Mediakunst.net:</a></p>
<p>&nbsp;</p>
<p><img loading="lazy" decoding="async" class="alignnone wp-image-5518" src="http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_08-620x349.jpg" alt="" width="408" height="230" srcset="http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_08-620x349.jpg 620w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_08-1000x563.jpg 1000w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_08-150x84.jpg 150w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_08-768x432.jpg 768w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_08-1536x864.jpg 1536w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM_08.jpg 1920w" sizes="auto, (max-width: 408px) 100vw, 408px" /> <img loading="lazy" decoding="async" class="alignnone wp-image-5516" src="http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM-02-620x349.jpg" alt="" width="412" height="232" srcset="http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM-02-620x349.jpg 620w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM-02-1000x563.jpg 1000w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM-02-150x84.jpg 150w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM-02-768x432.jpg 768w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM-02-1536x864.jpg 1536w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/ParaM-02.jpg 1920w" sizes="auto, (max-width: 412px) 100vw, 412px" /></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>This project was mas possible with the generous support of The Mondriaan Fonds, Amarte Fonds and CBK Zuidoost.</p>
<p><img loading="lazy" decoding="async" class="wp-image-5519 alignleft" src="http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/MFO_LOGO_EN_RGB_DONKERBLAUW_SMALL.png" alt="" width="229" height="241" srcset="http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/MFO_LOGO_EN_RGB_DONKERBLAUW_SMALL.png 358w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/MFO_LOGO_EN_RGB_DONKERBLAUW_SMALL-143x150.png 143w" sizes="auto, (max-width: 229px) 100vw, 229px" /> <img loading="lazy" decoding="async" class="wp-image-5521 alignnone" src="http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/Amarte-logo-620x162.png" alt="" width="287" height="75" srcset="http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/Amarte-logo-620x162.png 620w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/Amarte-logo-1000x261.png 1000w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/Amarte-logo-150x39.png 150w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/Amarte-logo-768x200.png 768w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/Amarte-logo-1536x401.png 1536w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/Amarte-logo-2048x534.png 2048w" sizes="auto, (max-width: 287px) 100vw, 287px" /><img loading="lazy" decoding="async" class="wp-image-5520 alignright" src="http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/logo-2016-FC-620x552.jpg" alt="" width="139" height="124" srcset="http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/logo-2016-FC-620x552.jpg 620w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/logo-2016-FC-1000x890.jpg 1000w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/logo-2016-FC-150x133.jpg 150w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/logo-2016-FC-768x683.jpg 768w, http://www.patriciawerneckribas.com/wp-content/uploads/2023/12/logo-2016-FC.jpg 1181w" sizes="auto, (max-width: 139px) 100vw, 139px" /></p>
<p>The post <a href="http://www.patriciawerneckribas.com/2023/12/para-m/">Para M</a> appeared first on <a href="http://www.patriciawerneckribas.com">Patricia Werneck Ribas</a>.</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">5522</post-id>	</item>
		<item>
		<title>The Wave</title>
		<link>http://www.patriciawerneckribas.com/2017/01/the-wave/</link>
		
		<dc:creator><![CDATA[Glenn Venghaus]]></dc:creator>
		<pubDate>Mon, 23 Jan 2017 22:03:26 +0000</pubDate>
				<category><![CDATA[Videos]]></category>
		<category><![CDATA[crisis]]></category>
		<category><![CDATA[refugees]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">http://www.patriciawerneckribas.com/?p=499</guid>

					<description><![CDATA[<p>A few, apparently unrelated, sentences are heard through the noise of a rough sea and the motor of a boat. Who are the people in that boat, where are they going to? Their stories will have different endings and unfortunately not always a happy one. HD Video, 1 min, 2016. http://www.theoneminutes.org/content/04-about/3-press/for-release-world-at-a-crossroads-open-call-wake-up-call.pdf World at a Crossroads [&#8230;]</p>
<p>The post <a href="http://www.patriciawerneckribas.com/2017/01/the-wave/">The Wave</a> appeared first on <a href="http://www.patriciawerneckribas.com">Patricia Werneck Ribas</a>.</p>
]]></description>
										<content:encoded><![CDATA[<dl class="dd-margin-bottom">
<dd>A few, apparently unrelated, sentences are heard through the noise of a rough sea and the motor of a boat. Who are the people in that boat, where are they going to? Their stories will have different endings and unfortunately not always a happy one.</dd>
<dd>HD Video, 1 min, 2016.</dd>
</dl>
<p><a href="http://www.theoneminutes.org/content/04-about/3-press/for-release-world-at-a-crossroads-open-call-wake-up-call.pdf">http://www.theoneminutes.org/content/04-about/3-press/for-release-world-at-a-crossroads-open-call-wake-up-call.pdf</a></p>
<p>World at a Crossroads – Open Call, Wake Up Call is curated by Libia Castro &amp; Ólafur Ólafsson. The series consists of thirteen one-minute films by various artists reflecting on our volatile present and envisioning our future, by merging performance and portrayal and appropriating texts and juxtaposing to still and moving images.</p>
<p>PARTICIPANTS</p>
<p>Minhong Yu<br />
Golrokh Goli Nafisi<br />
Florencia Almiron<br />
Ina Wudtke<br />
Cihad Caner<br />
Mohamed Youssef<br />
María Linares<br />
Monika Gruzite<br />
Vikenti Komitski<br />
Thais F. Guisasola<br />
Emil Freyr Freysson and Björgvin Helgi Möller Pálsson<br />
Patricia Werneck Ribas<br />
Katrin Jónsdottir Hjördisardóttir</p>
<p>&nbsp;</p>
<h4>SCREENINGS</h4>
<p><a href="http://www.nuamuseum.org/prodetail.aspx?id=199">Art Museum of Nanjing University of the Arts</a> (CN)<br />
<a href="http://www.ahk.nl/en/architecture/the-academy/organisation/">Amsterdam Academy of Architecture</a> (NL)<br />
<a href="http://www.bonnefanten.nl/nl/tentoonstellingen/one_minute_movies">Bonnefantenmuseum</a>, Maastricht (NL)<br />
<a href="http://www.dortmunder-u.de/veranstaltung/one-minute-series">Dortmunder U</a> (DE)<br />
East China Normal University, Shanghai (CN)<br />
<a href="http://www.lloydhotel.com/cultural-embassy-1/special-projects.htm">Lloyd Hotel &amp; Cultural Embassy</a>, Amsterdam (NL)<br />
Museum de Fundatie, Zwolle (NL)<br />
<a href="http://www.museumhilversum.nl/expositie/">Museum Hilversum</a> (NL)<br />
<a href="http://sandberg.nl/the-one-minutes">Sandberg Instituut</a>, Amsterdam (NL)<br />
<a href="http://www.wow-amsterdam.nl/event/the-one-minutes/">WOW, Amsterdam</a> (NL)<br />
<a href="https://www.facebook.com/219454837194/photos/pcb.10155373199337195/10155373193987195/?type=3&amp;theater">Reykjavík International Film Festival</a> (IS)<br />
<a href="http://www.listasafn.is">National gallery of Iceland &#8211; Listasafn Íslands, Reykjavík</a> (IS)</p>
<p>https://vimeo.com/191134591</p>
<p>The post <a href="http://www.patriciawerneckribas.com/2017/01/the-wave/">The Wave</a> appeared first on <a href="http://www.patriciawerneckribas.com">Patricia Werneck Ribas</a>.</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">499</post-id>	</item>
		<item>
		<title>Ia</title>
		<link>http://www.patriciawerneckribas.com/2017/01/ia/</link>
		
		<dc:creator><![CDATA[Glenn Venghaus]]></dc:creator>
		<pubDate>Mon, 23 Jan 2017 21:52:15 +0000</pubDate>
				<category><![CDATA[one minute film]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[colonisation]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">http://www.patriciawerneckribas.com/?p=497</guid>

					<description><![CDATA[<p>HD Video, 1 min, 2016 The syllable &#8220;Ia&#8221; appears as a root in several words in the Jê language spoken by the kaypó people in Brazil. While images of the suburbs of a Brazilian town is shown, some of these indigenous words are spoken by an anonymous voice, referring to what would be some of [&#8230;]</p>
<p>The post <a href="http://www.patriciawerneckribas.com/2017/01/ia/">Ia</a> appeared first on <a href="http://www.patriciawerneckribas.com">Patricia Werneck Ribas</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>HD Video, 1 min, 2016</p>
<p>The syllable &#8220;Ia&#8221; appears as a root in several words in the Jê language spoken by the kaypó people in Brazil. While images of the suburbs of a Brazilian town is shown, some of these indigenous words are spoken by an anonymous voice, referring to what would be some of the legacy of the colonisation process.</p>
<p><a href="https://manifesta.org/2016/06/premiere-screening-of-colon-culo-o-conquista-by-dick-verdult-dick-el-demasiado/"> https://manifesta.org/2016/06/premiere-screening-of-colon-culo-o-conquista-by-dick-verdult-dick-el-demasiado/</a></p>
<div class="description">
<p>Colón: ¿Culo o Conquista? is curated by Dick Verdult / Dick El Demasiado. By way of The One Minutes, Dick Verdult had a message sent to anthropologists, artists and his Latin American followers, inviting them to make short films in the theme of Colón: ¿Culo o Conquista? Colón is the Spanish name for Columbus; the title can be interpreted as Colon: ass or conquest?</p>
</div>
<div class="participants">
<h4>PARTICIPANTS</h4>
<p>Willi Amato and Anthony Fletcher<br />
Diego Seoane<br />
Luis Gárciga and Javier Castro Rivera<br />
Ernesto Baca<br />
Agustín Cabrera<br />
Pedro Torres Verdugo<br />
Germán Rocha<br />
Salvador Cresta<br />
Fernando Llanos<br />
Koštana Banović<br />
Azucena Losana<br />
Patricia Werneck Ribas<br />
Salvador Cresta<br />
Dick Verdult<br />
Jimena Garrido and Lorena Stricker and María Delia Puebla<br />
Azucena Losana<br />
Eduardo Matsuzaki<br />
Wilfred Junior Jansen<br />
Francisco Javier Hernandez (aka) Brujo De La Mancha<br />
Chantal Breukers<br />
Rómulo Franco Ruiz-Bravo<br />
Alejandro Gallo<br />
Antonio Nieto<br />
Jenny Granado<br />
Constanza Torres<br />
Fabian de Randamie</p>
</div>
<div class="screenings">
<h4>SCREENINGS</h4>
<p><a href="http://sandberg.nl/the-one-minutes">Sandberg Instituut</a>, Amsterdam (NL)<br />
<a href="http://www.nuamuseum.org/prodetail.aspx?id=199">Art Museum of Nanjing University of the Arts</a> (CN)<br />
<a href="http://www.fgaa.gov.co/titanic-hundido-jamas-sera-unido-dick-verdult">Fundación Gilberto Alzate Avendaño, Bogotá</a> (CO)<br />
<a href="https://www.facebook.com/events/1098515186902808/">Club Cultural Matienzo</a>, Buenos Aires (AR)<br />
<a href="http://www.bonnefanten.nl/nl/tentoonstellingen/one_minute_movies">Bonnefantenmuseum</a>, Maastricht (NL)<br />
<a href="http://www.dortmunder-u.de/veranstaltung/one-minute-series">Dortmunder U</a> (DE)<br />
East China Normal University, Shanghai (CN)<br />
<a href="http://www.lloydhotel.com/cultural-embassy-1/special-projects.htm">Lloyd Hotel &amp; Cultural Embassy</a>, Amsterdam (NL)<br />
Museum de Fundatie, Zwolle (NL)<br />
<a href="http://www.museumhilversum.nl/expositie/">Museum Hilversum</a> (NL)<br />
<a href="http://www.wow-amsterdam.nl/#/event/the-one-minutes/">WOW</a>, Amsterdam (NL)<br />
<a href="http://manifesta.org/2016/06/premiere-screening-of-colon-culo-o-conquista-by-dick-verdult-dick-el-demasiado/">Manifesta</a>, Amsterdam (NL)</p>
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<p>The post <a href="http://www.patriciawerneckribas.com/2017/01/ia/">Ia</a> appeared first on <a href="http://www.patriciawerneckribas.com">Patricia Werneck Ribas</a>.</p>
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